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PP🅐F

Object Sans

Object
Sans

Free to try
Licenses starting at $30

AaBbCcДжзй123%&*
AaBbCcДжзй123%&*
Infos

Object Sans is a contemporary type family that puts together the best qualities of Swiss neo-grotesks and geometric fonts ● It’s a multifunctional workhorse designed to work best in → any printed and on-screen contexts, including logo design, brand identities, websites, packaging, posters and headlines; regular weight is carefully tuned for small sized body text.

Credits & details

Styles 14 Styles with 347 Glyphs each
Including Italics and Cyrillic Support
Designer
Latest Update November 2018
Version 1.00
Available Formats OTF, TTF, WOFF, WOFF2, EOT

Supported languages

Afrikaans
Basque
Belarusian
Bosnian
Breton
Bulgarian
Catalan
Croatian
Czech
Danish
Dutch
English
Estonian
Finnish
French
Gaelic
German
Hungarian
Icelandic
Indonesian
Irish
Italian
Latvian
Lituanian
Macedonian
Norwegian
Polish
Portuguese
Romanian
Russian
Saami
Serbian
Slovak
Slovenian
Spanish
Swahili
Swedish
Turkish
Ukrainian
(and more)
Styles
Aa
  • Thin 100
    Light 250
    Regular 400
    Medium 500
    Bold 700
    Heavy 800
    Black 900
  • Thin Slanted 100
    Light Slanted 250
    Regular Slanted 400
    Medium Slanted 500
    Bold Slanted 700
    Heavy Slanted 800
    Black Slanted 900
Gotta ♥ Variable Fonts.
Object Sans
is variable in
weight + slant!
Object Sans
is variable in
weight + slant!
Medium

A key characteristic is that design precedes manufacture: the creative act of determining and defining a product's form and features takes place in advance of the physical act of making a product, which consists purely of repeated, often automated, replication. This distinguishes industrial design from craft-based design, where the form of the product is determined by the product's creator largely concurrent with the act of its creation. All manufactured products are the result of a design process, but the nature of this process can take many forms. It can be conducted by an individual or a team, and such a team could include people with varied expertise. It can emphasize intuitive creativity or calculated scientific decision-making, and often emphasizes both. It can be influenced by factors as varied as materials, production processes, business strategy, and prevailing social, commercial, or aesthetic attitudes. Industrial design, as an applied art, most often focuses on a combination of aesthetics and user-focused considerations, but also often provides solutions for problems of form, function, physical ergonomics, marketing, brand development, sustainability, and sales.

Термин «промышленный дизайн» был утверждён решением первой генеральной ассамблеи ICSID (International Council of Societies of Industrial Design, Международного совета организаций промышленного дизайна) в 1959 году; термин «дизайн» является профессиональным сокращением термина «промышленный дизайн»

Heavy

Industrial design is a process of design applied to products that are to be manufactured through techniques of mass production.

В 1969 году член этой коллегии Томас Малдонадо

Characters
Basic Latin A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z ! # ( ) * - . / 0 1 2 3 4 5 6 7 8 9 : ; ? [ ] _ { } $ % + < = > ^ ~ @ & |
A
Font in use

Here are some beautiful projects using Object Sans ● You can go check out our Font in Use Section and don't forget to send us your projects using our fonts to get featured.

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Commercial Licenses & Usages

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